Comparing Sexuality in Alls Well That Ends Well, Measure for Measure,

Female Sexuality in Alls intimately That Ends Well, monetary standard for Measure, and Troilus and Cressida Although fastidious chronology is a fussatic proposition, most scholars believe that the problem plays - Alls Well That Ends Well, Measure for Measure, and Troilus and Cressida - were composed in the purpose between settlement and Othello (Mabillard), a period in which Shakespe ar was focusing his energies on his great tragedies. This fact, some believe, may athletic supporter to account for the darker mood of these ostensible comedies. In fact, Boas, the critic who coined the term problem play, originally included Hamlet in this grouping, since he found a similarity of theme and irresolution between that play and Troilus and Cressida (Thomas 2-3). Thankfully for ripe students, critics have escaped that preconception and recognized Hamlet as a tragedy, plain and simple. Any generalization of these three plays - even a inevitably broad category like problem plays - is inherently . . . well, problematic. The three plays are very dissimilar in tone, plot, and characterization. It is possible, however, to identify a few bring up jetalities between the three plays, and, more generally, in the cycle of work that includes Hamlet and Othello. The sheer carnality of each of these plays is difficult to ignore. Taken as a whole, whether or not one accepts the canonical chronology, these plays represent the evolution of a coherent view of distaff sexuality that contributes not only to the melodramatic action of each play, but to a larger underlying thematic concern. Thus book-ended by two great tragedies, with which they share some common ideology, the problem plays offer an unparalleled opportunity to explore the concept of female sexualit... ...speare Online. 1999-2001. <http//www.shakespeare-online.com/keydates/playchron.asp>. Neely, Carol Thomas. Shakespeares Women Historical Facts and Dramatic Representations. In Holland, Norman N., Sidney Homan, and Bernard J. Paris, eds. Shakespeares Personality. Berkeley University of California Press, 1989. Shakespeare, William. Alls Well That Ends Well. Bevington 362-403. ---. Hamlet, Prince of Denmark. Bevington 1060-1116. ---. Measure for Measure. Bevington 404-443. ---. Othello, the Moor of Venice. Bevington 1117-1166. ---. Troilus and Cressida. Bevington 444-493. Thomas, Vivian. The Moral Universe of Shakespeares riddle Plays. London Croom Helm, 1987. Wilders, John. The Problem Comedies. In Wells, Stanley, ed. Shakespeare Select Bibliographical Guides. London Oxford UP, 1973.