Essay on Art as a Reflection of Life in Death in Venice -- Death in Ve

Art as a Reflection of Life in expiration in Venice goal in Venice explores the relationship between an artist, namely Gustave von Aschenbach, and the orbit in which he lives. Aschenbach, destined to be an artist from a puppyish age, represents art, while his surroundings represent animateness. As the story unfolds, Aschenbach endeavors on a journey in an attempt to relinquish his position in monastic order as an artist. Aschenbach wants to experience liveness, as opposed to merely reflecting upon it, as he has done for so many years. This attempted change of livenessstyle female genitals also be interpreted as a transition from the ways of Apollo to those of Dionysus, an archetype dating back to Nietzsches Birth of Tragedy. Aschenbachs journey throughout Death in Venice can be seen as an artists attempt to live life free from artistic interpretations. In the end, however, Aschenbach fails and his death shows that art is transient. Because of Aschenbachs failure to smell down from his position as an artist and to become a break open of life, it can be concluded that art is purely a expression of life. Aschenbachs journey commences upon his encountering a stranger on a portico. He was plain not Bavarian. (Mann, 4) Aschenbach, never having ventured far from home, is intrigued by this foreigner who fails to give him the obeisance and reverence that he is used to as a renowned artist. For the premiere time in his life, Aschenbach is challenged. So now, perhaps, feeling, thus tyrannized, avenged itself by sledding him, refusing from now on to carry and wing his art and taking absent with it all the ecstasy he had known in form and expression. (Mann, 7) Aschenbach, acknowledging the challenge, resolves to travel. The new territory upon which he is to embark, t... ...be an artist is shown throughout his life, including in his last moments on the beach when he fears Tadzios death. The irony of Ashenbachs demise emphasizes that art, as a reprehensi on of life, is transient. And before nightfall a shocked and respectful world reliable the news of his decease. (Mann, 73) Aschenbach has earned his place in history as an artist. hardly like all artists, he is replaced by his successors. Aschenbachs transition from an Apollonian way of life to a Dionysian one shows that art reflects life. In his case, art is zip more than a reflection, and although beautiful and appreciated, it is not an essential element of life itself. Works Cited Mann, Thomas. Microsoft(r) Encarta(r) 98 Encyclopedia. 1993-1997. Mann, Thomas. Death In Venice. New York Vintage Books, 1989. http//philos.wright.edu/Dept/CLS/wk/204/DV.html